Eduardo Falú. LIED AN DIE GETRÄUMTE LANDSCHAFT a film by OLIVER PRIMUS and ARNO OEHRI
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EDUARDO FALÚ FILM
DVD BESTELLUNG
VIDEO ON DEMAND / STREAMING
TRAILER & FESTIVALS
FILMBILDER
MUSIK
LIEDTEXTE
DARSTELLER & FILMTEAM
KONTAKT
PRODUCTION
PRESSE
LINKS
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EN  ES  DE  FR

 

 

PRESSE

GERMANY

Robofsly Concerts has offered a first level concert to the friends of South American folklore, the people who love concert and guitar solos. A guitar concert offered by an internationally recognised guitarrist, Argentine Eduardo Falú, who played for the first time for the German audience.
Stuttgart Newspaper
Chamber Theatre

His technique is undoubtedly remarkable, specially the absolute clearness of his interpretation. Even in the most difficult passages, everything is audible and easy to identify. And we should add to that his ability to include in Latin American folklore, the rhythm and the melody, the character and the essence that this musician can transmit to his ecstatic audience.
Bonner Rundschau, Bonn
Wenglerstrasse Concert Hall

Falú’s multiple execution techniques, his rhythm, and the balanced mixture of knowledge and musicality in the program, were gratefully accepted. There were many encores.
Minchner Merkur, Munich
Herkulessaal Concert Hall

Falú gives to the Spanish music a mundane grandeur. Melodies, precise rhythms, and full harmonies flow in soft sounds. The precise hand that presses and the quick hand that plays form a delicate balance. He keeps to himself, avoiding the easy effects, even in music as compelling as the Gato.
Hamburger Abendblatt, Hamburg

Not many times have I heard such esthetical and authentic folklore, free of all artificiality. The pieces performed showed a complete control of the instrument.
Stadt Erlanger, Erlangen

ARGENTINA

The virtuous Argentine guitarist Eduardo Falú played at the Nourse Auditorium, in San Francisco, with such an extraordinary program that „it would be necessary to go back sixty years to find something similar“. This is one of the praising reviews dedicated to the Argentine guitarist who is in a tour in California..Falú has had an extraordinary success with the audiences and with the critics, both as a performer and a composer.
Crónica, Buenos Aires

According to recent news, the outstanding guitarist and composer Eduardo Falú has performed with remarkable success in many American cities, as San Francisco, Los Angeles and New York. Although the critics already knew his name and fame, they were surprised at the quality of his performances, as to compare him with Tárrega, not only as a brilliant performer but also as a composer who „could take the spirit of his people and translate it to the formal composition“.

At the end of his performance the critics gave him a standing ovation, which is uncommon and only happens to few artists.
Clarín, Buenos Aires

Falú’s personality is fascinating. It can satisfy the curiosity of music lovers from all continents wishing to know a far-away country through its musical image. That is why Falú does not play Granados in Spain or Bach in Germany.
La Nación newspaper, Buenos Aires

The review of the last part of the concert is a must. It has meant for the audience the appreciation of an fact beyond doubt, Eduardo Falú’s musical production. This was specially evident in the Estilo and Malambo, which were repeated at the audience’s request.
La Voz del Interior newspaper, Córdoba

As a guitarist, Falú is obviously a virtuoso, but, unlike most of them, his dexterity never becomes a mirror to his own narcissism. He plays with a great humility, a serenity that seems to say that for him music only exist as a dialog and to make it it is necessary to posses the instrumental ability he shows.
La Opinión newspaper, Buenos Aires

Eduardo Falú’s art shows itself in all its magnificence to cover all the sonic possibilities of the guitar.
Primera Plana magazine, Buenos Aires

It is a marvellously creative music, with the guitar as a soloist instrument in a proper first place. Falú performs his own compositions, with the assistance of Cardozo Ocampo in orchestration, with a professionalism that is characteristic of him and of the orchestra, and also offers a brilliant performance of „Jeromita Linares“ by Carlos Guastavino.
Buenos Aires Herald newspaper, Buenos Aires

Every day one of the most prestigious guitarists of the world, after preparing the instrument, studies for two or three hours to „keep the fingers in shape“. He uses the traditional guitar compositions to practise and to prevent his hands from „going wild“.

During his five tours to Japan, this man, tall and bald, with a deep and slow voice, has lived through a curious experience that has a lot to do with the technique and with the soul: „The Japanese not only imitate folklore with phonetics, they have also begun to produce performers and guitars.“
La Nación magazine, Buenos Aires

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